Les Pecheurs de perles (Bizet)

18,50 

Label: Angel Records – SBLX-3856
Format: 2 x Vinyl, LP, Quadraphonic Box Set
Country: US
Released: 1978
Genre: Classical
Style: Opera, Romantic

 

Tracklist:
Les Pêcheurs De Perles
A Prelude & Act I (Beginning) 25:15
B1 Act I (Conclusion) 18:20
B2 Act II (Beginning) 7:20
C Act II (Conclusion) 23:45
D Act III 28:46

Credits:
Art Direction, Design – Marvin Schwartz
Baritone Vocals – Guillermo Sarabia
Bass Vocals – Roger Soyer
Chorus – Choeur National De L’Opéra De Paris
Chorus Master – Jean Laforge
Composed By – Georges Bizet
Conductor – Georges Prêtre
Engineer – Paul Vavasseur
Illustration – Dick Oden
Libretto By – Eugène Cormon, Michel Carré (2)
Liner Notes – James Harding
Orchestra – Orchestre National De L’Opéra De Paris
Orchestrated By – Arthur Hammond
Producer – Greco Casadesus
Soprano Vocals – Ileana Cotrubas
Tenor Vocals – Alain Vanzo

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Description

From Wikipedia, the free encyclopedia.
Les pêcheurs de perles
Opera by Georges Bizet

Les pêcheurs de perles (The Pearl Fishers) is an opera in three acts by the French composer Georges Bizet, to a libretto by Eugène Cormon and Michel Carré. It premiered on 30 September 1863 at the Théâtre Lyrique in Paris and was given 18 performances in its initial run. Set in ancient times on the island of Ceylon (Sri Lanka), the opera tells the story of how two men's vow of eternal friendship is threatened by their love for the same woman, whose own dilemma is the conflict between secular love and her sacred oath as a priestess. The friendship duet "Au fond du temple saint", generally known as "The Pearl Fishers Duet", is one of the best-known in Western opera.

At the premiere, Bizet (born on 25 October 1838) was not yet 25 years old; he had yet to establish himself in the Parisian musical world. The commission to write Les pêcheurs arose from his standing as a former winner of the prestigious Prix de Rome. Despite a good reception by the public, press reactions to the work were generally hostile and dismissive, although other composers, notably Hector Berlioz, found considerable merit in the music. The opera was not revived in Bizet's lifetime. Still, from 1886 onwards it was performed with some regularity in Europe and North America, and from the mid-20th century has entered the repertory of opera houses worldwide. Because the autograph score was lost, post-1886 productions were based on amended versions of the score that contained significant departures from the original. Since the 1970s, efforts have been made to reconstruct the score following Bizet's intentions.

Modern critical opinion has been kinder than that of Bizet's day. Commentators describe the quality of the music as uneven and, at times, unoriginal but acknowledge the opera as a work of promise in which Bizet's gifts for melody and evocative instrumentation are evident. They have identified clear foreshadowings of the composer's genius which would culminate, 10 years later, in Carmen. Since 1950, the work has been recorded numerous times in the revised and original versions.

Additional information

Weight 1 kg
Dimensions 33 × 33 × 2 cm

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